It is an entirely heart warming movie. It is lovable because of its simplicity in presentation, complexity of emotions, natural human insecurities and above all a different kind of humour – that looks underplayed but is sure to catch you smiling.
Having all those, the presentation, wonderful scenery of Mauritius’ locales, just-right performances by everyone, smart-jolly dialogs etc, would not have mattered if it didn’t have a, an equally heart warming but not a very straight, simple love story, that is quite involving.
It is about the change of heart and the torn between emotions. The development of the story, events and a good depiction of the same – especially the torn emotions, with decent humour gives the movie a good balance.
Many dialogs cracked me up …and some of them were not meant to – like when Sanjay says “Are tum to mere shaadi mein aya tha”.
As in some movies, your heart goes out to every character. I wonder if anyone could be as cool as cucumber like Boman Irani’s character. But there sure are quite a many annoying-at-the-outset but warm and loving moms like Shabana’s character. Also there are quite a few guys like Harshvardhan – Sanjay Suri’s character, who has got their priorities misplaced. Nothing wrong with that, but when it starts affecting other people, it is high time to make mends.
The chemistry between Boman-Shabana reminded Honeymoon Express Pvt Ltd.
Alia(beautiful Chitrangda Singh) is a typical confused girl who is torn between her wishes, her career and a undeserved faith/loyalty in a relation that was surviving only for survival’s sake, much after the fire had been extinguished. The see-saw confusions of this character are wonderfully displayed.
And there is Sid(Sharman Joshi), who is immediately lovable as a character with his forgetfulness, no-frills simple character who is just involved in his own world. Not to say, he is any less in emotions, he packs quite a bit and tender to everyone and vice-versa, very typical of an younger son! Its hard not to like this character.
There were some eccentricities like maa-kasam or the stockmarket crash affecting marriage next day, but it works out nice at the end.
I can’t resist wondering the treatment the subject would have got in the hands of SLB (he would have made it unbelievably melodramatic) or Bhatt camp ( Emran Hashmi smooching away and a drunken-drug addict Kangana, plus lot of bed scenes).
It is interesting to note the planting of crucial elements early in the movie, but not very prominently and its recurring. For example, the maa kasam was there in first few scene, and (in the same scene) Harsh recieves a call of Marco. Or even the occurance of a live-in. Or the concerns of Sid about her studies/career in unassuming scenes. Or a mama’s boy image thrown in.
It was only right, if not natural, that she finds her interest shifted to a person who tastes matched with hers (jazz for eg), whose priorities match her needs etc. After all, what’s love and relationship if it sapped the energy and worked against the daily life,is one way, instead of fuelling and enriching life.
(Also on 70mm