Lens
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Aap ka suroor (or rather Himesh Reshammiya’s topi)

July 9th 2007 in Movie Reviews, Movie talk

Sometimes you never know what hits you. Himesh Reshamiya (HR), yesterday in Saregamapa show, when asked what he feels about the feedback for his movie Aap Ka Suroor (AKS) which has got the biggest opening collection of this year, he said he is thankful for the audience and God for encouraging him. He also said, as usual the 1% of critics is unhappy about my product and has trashed it and ridiculed it heavily – but I will work harder and win them over next time. It could convey many things – is it his honesty or a doubt if this is just a masked sentence in the place of actual anger and arrogance, or is it just a sincere self-feedback that he has to work hard and he is ready to work hard, or is it a plain treat that the sequel is in the making ? But it hits – the honesty and hard work part hits.

It hits even further when the movie is watched because he makes fun at himself – the nasal singing becomes a part of the joke, the cap thing is a part of another. It is known that he has accepted that he is a nasal singer but to make it a part of joke and throw at himself takes some courage.

This movie was expected to open a can of worms, to answer few curious questions one has ever since the day we have seen him on TV – why does he not laugh, why is he in pain in all songs, why are his most songs about lost-love or something like that, why does he wear that bloody cap all the time, where was he before he started coming out of every channel and every speaker in the autos, what was he before and so on and so forth. The promos and speculations touted that the movie would answer everything.

Unfortunately the movie begins with him in the cap and instead of being a semi-biographical is instantly in a commercial story telling framework. That he is an already established singer – India’s rockstar at that – and the best performer in the world (whatever that means). That he is a very good man at heart. For the first time in his life he falls for a girl who also falls for him. Her father opposes their marriage strictly, as he is from a different lifestyle. HR is determined to win over him. Throw in between a denial of a singing contract , a third-angle Mallika who wants to seduce HR. And throw in a murder accusation and classic proving oneself innocent.

Performance wise, it would not have hurt if HR had shed his weepy image and looked somewhat cheerful. Giving any point to his acting would be major insult to him – he is acting himself ie he is HR in the movie and there is no way he should be any different than he is in his actual life – a painful face which he has mistaken to be the face filled with emotions. The teenager Hansika Motwani is not bad – her previous experience in movies makes it easy for her. But she does not have much to do in this HR worshipping movie, sorry movieee. Mallika chips in and does her part. The much publicized Mehbooba song is not a part of the movie, but it is just shown at the end, totally out of context, for which my explanation is this – producer had signed on Mallika for an amount for the movie but they also wanted a video song done by her. By making it a part of the movie, they saved on the extra expense on her! And I feel equal pity for the person who takes 3.5 pheres with Hansika but his face is not even shown!

It moves at Ok pace and sometimes it picks up more than enough – like one second he is bashing up villian, second his herione started her marriage third he gets the confession from villian, fourth the saath-pehre is stopped after 4 pehre in between after the heroine sees the live telecast of the confession. Wah, thanks to technology!

When one is not seeing Hansika Motwani or Mallika Sherawat but does not want to see HR, there is enough scenery to look at in the background which has beautiful locales of Germany.

There are no dearth for some cheesy dialogues. Like the one where his friend suggests “if i cut your nose …. how can you sing”, or Mallika suggests “if you want something, feel free to call me..any time in the day ….or night”

Given that it is a music artist’s film, there had to be enough number of songs, yet it just saved itself from being a story hastily thrown in between the video songs. It does better than that, for there is, however cliched and not-done, a story unlike many others that succeed despite the absence of any logic.

But I really wouldn’t have minded if the movie contained his old hit songs. They keep humming in the background music though.

Not sure what happened to the girl with heart problem. It was the most bizzare stuff that looks like a scene fallen from some other movie on to the editing table of this one. Don’t know what happened to Rajbabbar.

Though I drew for myself some parallel between Sivaji and AKS ( small things like both the stories start with the hero in jail and in the flashback and they escape after an attempt to kill them inside jail, so on and so forth, small things) I do not compare between the two. But let me just say, if you liked Sivaji and dislike AKS – there is some bias&difference in taste in your viewing, for both follow the traditional film making to the core.

And how can the talk about HR be complete without a mention of his caps. He wore around 13 different caps, yes I counted – but lost the count because even though he changed cap for every next scene, but he repeated his caps.

Since this is more of a personal interview than a movieee, there were few answers provided like why does he always keep a weeping face “why do you never laugh, HR?” – his dearest elder brother isn’t been around (I heard that right, no?) and he lost all interest towards life. ( But he sings even romantic songs with a weepy face which was why I always thought he was a singing Devdas ). Even in the movie he keeps his face as sorrowful and drunk as possible during all the times without any reason.

All said and done, this movieee is more about HR and his caps than anything else. Probably in the history of movies or history of anything for that matter, nothing has given as much importance to the cap as this does.

But the biggest question remains unanswered – why does he wear cap. And to know that, wait for the sequel.

Ps: As for myself, had ample amount of fun and laughter in the theater, no regrets at all ! We were more often laughing at it and not because of it. Low stakes and good company helps too !


4 comments to...
“Aap ka suroor (or rather Himesh Reshammiya’s topi)”
Avatar
chaitra

OMG…you watched it!! I could sooo disown u for this :-)


Avatar
Rk

No, pls no..if you do I will start wearing cap and sing like HR for the rest of my life :)
Actually, I had a good time in theater …In RoI/paisavasool ladder I would put this on the same level as Sivaji and better than Veer Zaara, Nishabd etc..
Also, after a long time, I did a full length post in one sitting without searching for words or thoughts!


Avatar
chaitra

It was so good…eh? I think what worked for him was the fact that ppl had the lowest expectation from the movie.. and had just turned up for the cap mystery.
Anyways.. this means we would have to bear the sequel as well


Avatar
Rk

No, movie wasn't good, nor did it work for me.
But had a good time! ;-) Others in theater too were laughing at some points. For next show there were even more people than ours.
You are right about low expectation and cap mystery. Should give it to him to wear a cap, create air around it and make two movies on that basis – such forethinking!!


Histronics (have you heard in any show about terrible but cute host getting kissed on the show ? ) and contracts and emotionally charged over exaggerating shouting over the top “gurus” aside, Saregamapa is still immensely watchable for me for the singing talent it has. And also since it was a show I used to […]

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