Shouting at a wall. Listening to echo. Looking at a mirror.

Kank, Srk, Godzilla

September 12th 2006 in Uncategorized

Here is one of the purest of all love stories, and we are privileged to be alive to see it unfolding before our eyes, in air-conditioned multiplexes. Johar’s adoration of Shah Rukh, the way he lovingly places him at the centre of every frame and gives him God-like status, is truly marvelous to behold.

Jai elaborates

But I’m now convinced that KJ is in love with SRK. I don’t know what kind of love this is – platonic, sexual, unrequited, whatever – but there’s no mistaking it….Karan Johar’s last three films have been gorgeous love letters penned to SRK, even though at least two of them have been mediocre films. As studies of adulation, of the immortalizing of one person by another, they will live forever, longer perhaps than all those sonnets Shakespeare addressed to his Muse.

In a different post, he likens SRK to Godzilla :)

the principle of gradually revealing parts of SRK’s (leather-clad) anatomy while keeping his face out of sight, or shadowed. It was like those multi-part Godzilla trailers where you caught tantalizing glimpses of a giant eye or foot or tail, but never the whole lizard at once.

Check the posters of both (in the same post), I was in for a surprise!

Rangan on Kank

KARAN JOHAR’S plots can typically be summed up with a one-liner question: Will Shah Rukh Khan get together with X? Will Shah Rukh Khan get together with Kajol (in Kuch Kuch Hota Hai)? Will Shah Rukh Khan get together with his estranged family (in Kabhi Khushi Kabhie Gham)? And so, as Kabhi Alvida Naa Kehna – or KANK, as it’s come to be known – began to unfold, and I saw that its one-line plot is whether Shah Rukh Khan (playing Dev) will get together with Rani Mukerji (as Maya)

And finally we have, Greatbong, a fun review. Must read.
I burst out laughing after reading this second sentence

Not to speak of the ridiculous side-plot of the ‘Black Beast’—-a child-kidnapper who is introduced as someone who could be either a man or a woman. Which I presumed was the context for Karan Johar to make a guest appearance.


He later reviews Kabhi Aage …in Taran Adarsh‘s style. Hilarious.

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